Tag: inclusive practices
Human rights, equity, diversity, inclusion and justice, through art, the arts and creativity. And art is a human right, as Bob and Roberta Smith states. So is the freedom of movement- of the body and the mind, to be a free, autonomous thinker, trespassing borders/boundaries/silos ideological, disciplinary, geopolitical, cultural and more. Hence the Hyperactive Octopussy, who is insistently tentacular, and intellectually promiscuous, with no fixed abode, who can’t be fixed, and who gets her fix by seeking risks and novelty. Neurodiversity – one that is genuinely diverse and not as white/privileged/autism-centric as it frustratingly remains – would be important in a just, biodiverse, inclusive and creative ecosystem (Tan and Northey 2020). This section focuses on anti-racism, decolonisation, intersectionality and more; for practice and research around neurodiversity specifically, see https://kaisyngtan.com/artful/tag/neurodiversity/
When I was asked to appear on BBC World Service to discuss women and ADHD with Kim Chakanetsa, I said yes. After all, the show’s good enough for Olympian & powerhouse (and ADHD-er) Simone Biles. When asked whom I’d like to chat with, I named my friend Dr. Jane Sedgwick-Müller. Listen in on our lively discussion 2nd October 2023.
I am delighted to have signed a contract with Taylor and Francis in January 2023 as Co-Editor for a new edited collection, A Handbook of Neurodiversity and Creative Research (circa Q1 2025), after being approached by the commissioning editors of Routledge.
I have been invited to co-teach on a course in partnership with Manchester Art Gallery, for second year art and design students. My creative intervention is entitled ‘Go Back to your own Home! Who owns whose culture? On repatriation, cultural ownership, decolonisation of cultural spaces. Should I stay or should I go? What can visitors, museum workers and artists do (together)?’
I have been awarded the Principal Fellowship of Higher Education Academy (PFHEA) by Advance HE in December 2022. The highest of the HEA fellowships, PFHEAs are awarded to professionals with sustained records of effective strategic leadership in academic practice and academic development as a key contribution to high quality student learning
This op-ed for The Society for Research into Higher Education (SRHE, 16 Nov 2022) outlines an inclusive and heuristic (co-) creative teaching/learning praxis that I term ‘tentacular pedagogy’ (TP), that aims to make creative arts in Higher Education more inclusive and socially-engaged, and for CA-HE to play a more (pro-)active leadership role within HE and beyond in nurturing a more creative and compassionate future, amid the perma- and omni-crises within UK HE and beyond.
This new short film was created at the invitation of a design pedagogy event by European consortium FUEL4Design: Future Education and Literacy for Designers as International Respondent. A performance-lecture version was created as Keynote Lecturer for Deep Meaningful Conversations of the Design Management course, London College of Communication, University Arts London.
The success of others is both a duty and reflection of my own progress. Through co-creative engagement with diverse stakeholders and ‘students’ from within and beyond HE, via inclusive scholarly projects and communities, the potential for culture change and necessary attitudinal shifts to improve HE can grow exponentially. 03/2022 saw several positive outcomes.
>17 current pro bono affiliations as founder, chair or member to UK, European and international NGOs and professional organisations and collectives across creativity, culture, health, social justice and more.
Currently Associate Professor in Arts & Cultural Leadership, University of Southampton. Taught in >200 HEIs since 1998 as Examiner, Pathway Leader, Lecturer, Tutor, Visiting Lecturer, Visiting Artist, including at: UCL School of Life & Medical Studies, Royal College of Art, Australia National University, Tama Art University (Tokyo), King’s Undergraduate Medical Education Community, Goldsmiths University, SIM University in Singapore (External Examiner, Bachelor of Art Education), Silliman University (Philippines) and University of Helsinki.
How To Thrive In 2050: 8 Tentacular Workouts For A Tantalising Future! is a new short film I made in Spring 2021. This is an art manifesto calling for a creative, equitable and ‘neuro-fantastic’ future by an Octopussy. The World Premiere is on BBC Culture in Quarantine Autumn 2021
This article was published in Art, Design & Communication in Higher Education April 2021. It outlines three actions for the supervisor, student and examiner, to introduce a level of anti-racist consciousness in the journey of the Fine Art PhD.
I was invited by Donald Lush, Careers Consultant at King’s College London, to discuss academic job applications with a focus on equality (or lack thereof!), on 7th May 2021.
Want to work with me? Here’s how.
I was invited to select from and respond to a range of museum artefacts through a neurodivergent prism. I selected an artefact from the National Archives, which is an extract from an Education Department draft circular on the introduction of 11+ exam, July 1945.
We are as racist as any other sector. We have sophisticated ways of covering it up. I don’t want to resuscitate that. It remains the job of a lot of us to keep calling out on bad practices and faux liberalism’.
UPDATED: See here for report and reflection of #PAC75, Race Equality Activities Planning (REAP) and other legacies in collaboration with the amazing Professor Ola Uduku. #PAC75: The 75th…
Here are just 3 of several films on the #PAC75: The 75th Anniversary Celebrations of the 5th Pan African Congress in Manchester, Viewing the Past and Looking to the Future channel. Do watch, and use them for learning, teaching and research. More videos to be uploaded during the Black History Month 2020!
This is a recording of a performance lecture I delivered on 6 August 2020 for University of Reading, a repeat of a keynote-lecture that premiered for Royal Society of Arts on 9 July 2020 which was attended by up to 130 people.
Instead of OBE/MBE/CBE, we’ll have NDE (NeuroDiversity medal of Excellence). Universities will finally stop failing or boring people, offering interdisciplinary MASc and PhDs. ‘Neurodiversity’ will also become truly diversified. We’ll then run around with tentacles on our heads. New performance-lecture at Royal Society of Arts attended by 130 people.
Celebrate the Extraordinary (2015) was a practice-led investigation that outlines an inclusive approach to artistic collaboration. It centred on the £4 million opening and closing ceremonies of 8th ASEAN Para Games in 2015, commissioned by the Singapore government.
05/2020: Get in touch to help me learn and do better as a woman, teacher, artist, and human being.
This is a new performance-lecture created in June 2020. It will premiere on 7 July 2020 at Manchester School of Art. It was developed from a talk I gave at Live Art Developmental Agency Summer 2019, by invitation by ‘allies’.
Since 2019, I have been thinking about ‘Artful Leadership’: thinking, making, organising and being in ways that are artful, agile and atypical. This is about leading within, as well as beyond the arts/cultural realms, by which I refer to being embedded within the socio-political structures, to effect cultural, social and systemic change.
As we move from the immediate crisis towards new ones, we need atypical thinkers, agile doers and creative problem-solvers who thrive in unknowns. A call for a more inclusive and creative socio-political ecosystem.
It’s not business as usual anymore. Instead, it’s time to lead, creatively. Redacted sketch of how I envisage a new creative arts leadership MA/MFA programme, which proposes ‘creative arts leadership’ as an interdisciplinary creative research and practice paradigm is curated through an art school ethos, and situated as extension of art intervention, social practice, seeking to catalyse and make change, in an Industry 4.0 and VUCA (volatile, uncertain, complex, ambiguous) contexts.
I am (co-)founder, (co-)leader, trustee, consultant, co-leader or member of 20 national and international networks and organisations in research, arts, health, and human rights.
Seeking collaborators/sponsors: I aim to curate a residency-cum-collaboration programme that will lead to an exhibition asking, ‘What Could A Neurodiversity-led 2050 Look Like?’ I want to matchmake unlikely pairs of neurodiverse artists and designers with scientists and technologists, and choreograph ways for them to work collaboratively towards the co-creation of new pilots and prototypes of apps, objects or experiences.
Productive antagonisms is an interdisciplinary mode of knowledge exchange and production (Latham and Tan 2016). Itself an artful juxtaposition of concepts and practices and co-created by an artist and a geographer, I have since extended the concept into a mode of learning and teaching, although it has come from prior framings such as ISLANDHOPPING (2002-2005).
Here are two films by two extraordinary award-winning filmmakers: Kleopatra Korai (NY/Greece) and Bertrand Lee (Singapore), commissioned for the opening and closing ceremonies of the 5th ASEAN Para…
Is there too much, or not enough ‘neurodiversity’ in art & academia in the UK? Premiered at Birkbeck, Arts Week May 2019.
Disability Arts Online 2018 article. One of its top 10 editorial pieces, later presented as a performance-lecture at the Science Museum.
03/2020: Keen to explore the messy and magical entanglements between neurodiversity, creativity and research, and all the possibilities and intersections in between? Join the Neurodiversity In/And Creative Research Network, a new international hub.