Tag: body and mind in motion amid place and world in (com)motion
One way to sum up what I do, why I do what I do, and how I do what I do, is the mobilisation /activation of the body and mind in motion and commotion as a form of creative and critical intervention and interrogation of and amid a place (often urban) or world in motion and commotion across boundaries/borders/silos (disciplinary/cultural/geopolitical/neuro-normativity and more). It is ill-disciplined, playful and artful, in productive antagonisms with other bodies and minds. Conjunctions and prepositions galore!
My new, not very good article ‘The Artful Agile Atypical Octopussy’ is live in the peer-reviewed Performance Research: A Journal of the Performing Arts, On (Un)Knowns, 03 March 2022. This was one of 30 selected articles out of 160 proposals, and one of two that are in full colour.
3 Fine Art degrees (London, Chicago, Tokyo) and other qualifications in music, mental health, technology and more.
28 interventions as Creative Research Lead / Curator / Producer (including animated film in official selection of Annecy Film Festival; speed-dating event at South London Gallery); 12 solo shows or major showcases (including Biennale of Sydney, Guangzhou Triennale); 100 invited shows (including with Yayoi Kusama at Sung Kok Art Museum in Korea and a performance at Pompidou), 150 showcases in film festivals (including MOMA New York, Transmediale Festival), 3 interventions in theatre (including Moscow).
How To Thrive In 2050: 8 Tentacular Workouts For A Tantalising Future! is a new short film I made in Spring 2021. This is an art manifesto calling for a creative, equitable and ‘neuro-fantastic’ future by an Octopussy. The World Premiere is on BBC Culture in Quarantine Autumn 2021
I was commissioned by Fermynwoods Contemporary Arts to create a mask. I made 5 and you can buy my favourite one, Sight and Site of Dissent, here.
My human-beast chimera performs a novel, embodied interdisciplinary mode of knowledge exchange and creation.
This is a recording of a performance lecture I delivered on 6 August 2020 for University of Reading, a repeat of a keynote-lecture that premiered for Royal Society of Arts on 9 July 2020 which was attended by up to 130 people.
I am hyperactive by nature and design. This restlessness is existential, political, neurological, personal, professional.
‘Run Riot’ (2019) is a chapter in Handbook on Methods and Applications for Mobilities Research, Edward Elgar (2020). The structure of the text follows philosopher Jean-Jaques Rousseau’s 1778 Reveries of a Solitary Walker, and it activates a dyslexic approach to writing.
MOBILITIES RESEARCH: I was Visiting Fellow (2017-2018) at Centre for Mobilities Research (Cemore), Lancaster University. This draws on my associated with Cemore since circa 2012, when I first…
Watch commissioned Pecha Kucha Life on the RUN! RUN! RUN!, at My Life in Running, Pub Pannuhuone the ANTI Festival of Contemporary Art, Kuopio, Finland 2015 . In…
Panel discussion on RUN! RUN! RUN! Biennale and my solo work on Free Thinking.
Official Selection, Arts and Humanities Research Council Research in Film Award 2019 . Premiered at the South London Gallery on 5 June 2018. Toured at Southbank Centre, Science Museum and NTU Centre for Contemporary Art (Singapore) amongst others.
My work has been widely covered by mainstream printed media in UK, Tokyo, Singapore since 1992. Here are a few recent examples.
This was an exhibition of eight works published in the Winter 2016 edition of Transfers Interdisciplinary Journal of Mobility Studies.
2020 version of Exceptional Talent, the State of Fun & Islands of After Death, on movement as a human right, which was first performed as a keynote-lecture at Peter Scott at the Inaugural Art & Mobilities Symposium 2018.
The body and mind in motion and commotion as a form of intervention and interrogation of and amid a world in motion and commotion. A non-linear slideshow performed at ANTI Festival of Contemporary Performance (Kuopio, Finland 2015) and Exparte at the Brick Lane Gallery (for the Singapore Tourism Board, 2015).
This is a recording of a conversation I had with artist Melanie Manchot at Fermynwoods Contemporary Art, 4th August 2015. I also shared a performance-lecture called ‘Life On The RUN! RUN! RUN! in the form of a Prezi.
An early proposal of the running-messenger as disruptor and connector. UCL Institute of Advanced Studies.