A LIFE 2.0 RE-PRESENTATION OF A LIFE 1.0 SHOW THAT IS ENDING IN A FEW HOURS: Kaidie’s metamap exhibition #6.
Where do statues go after they die? Statues die when people stop looking at them (Chris Marker and Alain Resnais, 1953). Kaidie’s metamap is of a less resilient material than bronze, and, like Kaidie, has a prescribed lifespan. It begins dying this evening 17:00hrs, and from 11:00hrs tomorrow (after our morning run), we will remove the papers, tapes, blu tacks, glue dots, marker pen marks, other marks, tracks, traces, bits, pieces, things, remnants, et ceteras. We will paint over the walls and floors where we had been, and leave the space as we found it, as if we had never been there, clearing all paths, as if it had never known existence in the first place (good for it) (for its own good).
That things die, that they die from one dimension, that they do not last, that they are one-offs, that they are transient and are not foolishly forever, that they can live on – if we so allow them to – in the realm of imagination, perhaps ever/even more animatedly, ferociously and zestfully, is a concept that we quite adore. (We – you, my Dear Readers, and us- have been there before, when we paid a pilgrimage to Heidiland in a bid to visit the legendary Heidi, who was all but absent, and how we were relieved that she could not be found in Life 1.0, for it only strengthens her presence in our Life 2.0). We relish in the cruelty of this, as we adore how it allows us to train and celebrate the/our power of imagination. (‘I’m wondering what this all means to you’, he asks. I am silent. ‘You are immaterial; you do not exist. In fact, you are already dead,’ I want to say, which to my mind is not negative, in our same Heidi-logic, but which would inevitably be taken to be otherwise. So I keep silent.)
The work dies from Life 1.0, our primary world, but/and migrates to / returns to / re-starts in Life 2.0, in the virtual and imaginary realm, and exists as if it has done all this while, independent of the one in the physical world. One is not lesser than the other. To be pedantic, the Life 1.0 metamap in the exhibition ‘came from’ Life 2.0 in the ‘first place’, with the 120 maps and images created on the screen, and having previously only existed in Cyberspace. Already, even as it is alive, we are re-creating Life 2.0 re-presentations of it, in a parallel realm. The work is the same work in either lives, but the Life 1.0 ‘version’ also completely differs and is independent of the Life 2.0 one. In fact, there is no ‘essential’ work. When we run restlessly between Life 1.0 and Life 2.0, we are re-creating the/a work again.
2nd row top left: photograph of Kaidie at work by fellow artist-exhibitor, Laura Malacart. Beside that is a sketch by Kaidie of the work, before she began. Middle: Kaidie, quite knackered by now, poses with fellow artists and exhibitors Deborah Padfield and Errol Francis at the end of the humid evening of the opening 25 June. in the next picture, Errol competes with Kaidie for Person With Most Number Of Countable and Accountable Teeth Award 2010. We are fighting neck to neck, shoulder to shoulder, and- of course we are expecting this- teeth to teeth, a tooth for a tooth, gum for gum. Who do you think should win? Bottom right: Pink poster Spillage indicates the title of the show. Bottom left: Kaidie’s hand-made wall text for her new hand-made wall-text-installation, 24 June 2010, 1 day before show opened. The masking tape on the wall were to be all licked up, of course. Kaidie’s Life 3.0 ecosystem tolerates no wastage (most of the time). Check out the ‘paper tippex’ on the right hand side of the wall text as well (since there is no undo button in Life 1.0).
