Tag: learning and teaching

KEYNOTE LECTURE + FILM (5’20”): for EU-funded design futures pedagogy event + UAL design management staff & students

This new short film was created at the invitation of a design pedagogy event by European consortium FUEL4Design: Future Education and Literacy for Designers as International Respondent. A performance-lecture version was created as Keynote Lecturer for Deep Meaningful Conversations of the Design Management course, London College of Communication, University Arts London.

INNOVATION/INTERVENTION: Creative Arts Leadership MA from 09/2023

The new Creative Arts Leadership MA course, for which I am Programme Lead, is an innovative, radical trans-disciplinary programme that creatively interrogates and explores new, diversified models of ‘leadership’. Curated by UK’s oldest comprehensive art school, and co-delivered with the triple-accredited Business School, the MA scopes, maps, and enacts the possibilities of a more equitable creative leadership praxis.

INTERVIEW: Why should normality be ‘gold standard’?

Why is normality the gold standard, when the “norm” hasn’t worked for a while? Isn’t it time for new models of leadership, and new role models? Isn’t it more exciting to be non-standard, to be covered in glitter, and to embrace a phenomenal spectrum of colours and possibilities?’ Read my interview on neurodiversity and creativity with Jane Clark at Beshara magazine.

NEWS: Paying forward, onward and upwards

The success of others is both a duty and reflection of my own progress. Through co-creative engagement with diverse stakeholders and ‘students’ from within and beyond HE, via inclusive scholarly projects and communities, the potential for culture change and necessary attitudinal shifts to improve HE can grow exponentially. 03/2022 saw several positive outcomes.

WORKSHOP: Why must we bang on about ‘Adult Themes’? How to push back polite censorship and other pushbacks?

In this course, we will look at clips from my commissioned film about a ‘neuro-futuristic’ 2050, How to Thrive in 2050, then break into groups and share thoughts and action for our immediate and longer term future. We will cover tactics to push back the pushback, such as forms of censorship and control. Premiere: 3 May 2022, Castlefield Gallery, Manchester UK.

KEYNOTE: A ‘Tentacular Pedagogy’ to Lead 2050 for ELIA Academy

What should art schools change, so that we can lead change and thrive in, with and for the next generation? Since you asked me, I’ll recommend growing tentacles. This is my new keynote for Network for higher arts education with >300,000 members in 282 institutions in Europe, N and S Americas, and AustralAsia.

PROFILE: Teaching

Extending higher art education.

CV: CURRENT

Joined Manchester School of Art as Senior Lecturer and Programme Leader for interdisciplinary Creative Arts Leadership MA. Member of DVC’s Academic Advisory Group and PVC Education’s National Teaching Fellowship panel. EDI lead/co-lead for Department and University in Race Equality. 4 interdisciplinary / practice-led PhD Supervision.

CV: ACADEMIC

Taught in >200 HEIs since 1998 as Examiner, Pathway Leader, Lecturer, Tutor, Visiting Lecturer, Visiting Artist, including at: UCL School of Life & Medical Studies, Royal College of Art, Australia National University, Tama Art University (Tokyo), King’s Undergraduate Medical Education Community, Goldsmiths University, SIM University in Singapore (External Examiner, Bachelor of Art Education), Silliman University (Philippines) and University of Helsinki.

2 CPD units for 1056 live participants

In Spring 2021, I gave two presentations that were also CPD units, including one to 870 Europe-based mental health specialists from 17 countries (+ 6 languages and interpreters – almost as fabulous as Eurovision).

Come do your PhD / PostDoc with me

I welcome new PhD and post-doctoral researchers, and/or PhD external examination opportunities, across diverse subject areas within and beyond the creative arts and humanities

WORKSHOP: ‘You’re not a good fit for the standard academic!’ 59’35”

I was invited by Donald Lush, Careers Consultant at King’s College London, to discuss academic job applications with a focus on equality (or lack thereof!), on 7th May 2021.

INVITED RESPONSE: Neurodivergent reading of National Archives artefact 3’49”

I was invited to select from and respond to a range of museum artefacts through a neurodivergent prism. I selected an artefact from the National Archives, which is an extract from an Education Department draft circular on the introduction of 11+ exam, July 1945.

LECTURE+WORKSHOP: Practice, Movement and Play in Learning: Lockdown Edition 64’16”

This is the 2020 lockdown edition of a workshop Practice, Movement and Play in Learning for the module ‘The Arts, Culture & Education and Learning, Participation & the Southbank Centre’ Module, as part of the MA in Education in Arts and Cultural Settings at King’s College London, which I have been delivering since 2019.

#PAC75: Youtube channel

Here are just 3 of several films on the #PAC75: The 75th Anniversary Celebrations of the 5th Pan African Congress in Manchester, Viewing the Past and Looking to the Future channel. Do watch, and use them for learning, teaching and research. More videos to be uploaded during the Black History Month 2020!

What could a neurodiversity-led 2050 look like? RSA premiere

Instead of OBE/MBE/CBE, we’ll have NDE (NeuroDiversity medal of Excellence). Universities will finally stop failing or boring people, offering interdisciplinary MASc and PhDs. ‘Neurodiversity’ will also become truly diversified. We’ll then run around with tentacles on our heads. New performance-lecture at Royal Society of Arts attended by 130 people.

BUNKER TALKS: Being ‘artful’ and ‘ill-disciplined’ amid/beyond a pandemic 40′ 00″

04/2020: Watch this interview (40 minutes) on ‘artful leadership’. With Dr Michael Pinchbeck.

WORKSHOP: Learning through Making & Making Change

05/2020: On Making As Guest Lecturer

Productive Antagonisms

Productive antagonisms is an interdisciplinary mode of knowledge exchange and production (Latham and Tan 2016). Itself an artful juxtaposition of concepts and practices and co-created by an artist and a geographer, I have since extended the concept into a mode of learning and teaching, although it has come from prior framings such as ISLANDHOPPING (2002-2005).