My efforts are frequently cited in peer-reviewed research, arts and cultural, professional and popular media platforms. Examples include Bijutsu Tetcho (Japanese arts magazine), Lianhe ZaoBao (national Chinese language newspapers in Singapore), Tatler, BBC (World Service, iPlayer, Radio 3, Radio 4), Time Out, Times Higher Education Supplement and Guardian. There had even been two ‘live’ interviews in the Japanese language on Fuji television (Tokyo) and a morning TV talk-show (Beppu), Japan. For the rest of my CV, click here. For testimonials, see here.

RESEARCH & ACADEMIC PLATFORMS
POPULAR MEDIA
ARTS, CULTURAL AND OTHER PROFESSIONAL PLATFORMS
  • Zhu, X. (2025, August 1). Kicking off on July 14th: Starting with the Heart at the Core – TOWARDS A LOVE-HUB [LinkedIn].
  • Evans, J. (2025, July 7). Masking, Making, and Imagination: A Neurodiversity Reflection [LinkedIn].
  • Berendsen, J. (2025, April). How can a neuro(more) learning environment contribute to authenticity in the creative process? [LinkedIn].
  • Wakai, M. (2023). YIDFF: 2023: New Asian Currents. Yamagata International Documentary Film Festival 2023 Catalogue. Includes descriptions of films in the New Asian Currents Official Selection and jurors’ films, including How to Thrive in 2050 (2021, 14 min) and Chlorine Addiction (2001, 44 min).
  • Drury, J. (2022). In conversation with Kai Syng Tan. Dialogue Village.
  • Centre for Public History and Heritage. (2021, October). The legendary 1945 Manchester Pan African Congress.
  • Gongle. (2020). On art and sports [Radio broadcast, in French].
  • Centre for Contemporary Art, Singapore. (n.d.). PICTURING HAPPINESS? With 6 scientists and artists.
  • MiND. (n.d.). Shine a light on ADHD.
  • UCL Events. (n.d.). MD4: Mysticism and insecurity.
  • ANTI Festival of Contemporary Art. (2015a). International seminar – Art of endurance.
  • ANTI Festival of Contemporary Art. (2015b). Kai Syng Tan & Alan Latham (UK): ANTI-ADULT RUN! RUN! RUN!.
  • ANTI Festival of Contemporary Art. (2015c). PechaKucha Night Kuopio Vol. 9: My life in running.
  • WeltReisender. (2013). Move on Asia: Videokunst in Asien 2002 bis 2012.
  • King’s Artists. (2017). New thinking, new making [Exhibition pamphlet].
  • Singapore Open Media Art Festival. (2017). Art of things: Actors. Total Museum of Contemporary Art, Seoul, Korea, pp. 23, 28, 29, 42, 43, 50.
  • Stahl, A., & Thorne, H. (Eds.). (2017). Monologue/Dialogues Catalogue (pp. 30–31).
  • United Overseas Bank. (2016). UOB Painting of the Year alumni: Dr Tan Kai Syng. UOB.
  • National Arts Council. (2016). Singapore’s visual artists (pp. 443–444).
  • Sapin, V., & Judge, C. M. (2015). FemLink-Art: Video-collages of the international collective – Catalogue.
  • Fermynwoods Contemporary Art. (2015). Art and running [Podcast]. Free Exchange Podcast.
  • Cobby, H. R. (2014, February 6). How to stop worrying and love (running). UCL Art Museum Blog.
  • Stephens, J. (2013). Yonder Catalogue. Perth Institute of Contemporary Arts.
  • Center for Art and Media Karlsruhe ZKM. (2013). Move on Asia ZKM.
  • Brown. (2012). The Games: Inspiring images. Connaught Brown.
  • Guangdong Museum. (2008). 3rd Guangzhou Triennale 2008 Official Catalogue. China.
  • Tan, E., Nadarajan, G., & Storer, R. (Eds.). (2007). Contemporary art in Singapore. Institute of Contemporary Arts, pp. 142–145.
  • Tan, E. (2006). Apology. In Move On Asia Catalogue (pp. 216–219). Seoul.
  • Pijnappel, J. (2006). Kai Syng Tan: ISLANDHOPPING. In Biennale of Sydney (pp. 268–269). Sydney.
  • Wee, C. J. W.-L. (2006). After theory—and into ‘Zones of Contact’? In Bullock, N., & Keehan, R. (Eds.), Biennale of Sydney, 2006: A critical reader (pp. 43–44). Artspace Visual Arts Centre.
  • Yap, J. (2006). Tan Kai Syng. In ISLANDED: Contemporary art from Singapore, New Zealand, Taiwan (pp. 42–45).
  • Daejeon Museum of Art. (2005). Tan Kai Syng. In Future of Art, Science & Technology (pp. 138–139). Korea.
  • Merali, S. (Ed.). (2005). Politics of fun, spaces & shadows. House of World Cultures, Germany (pp. 131, 147, 165).
  • Messmer, S. (2005). The manic collector. Culturebase, Germany.
  • Pijnappel, J. (2005). World specialists identify Asian media artists to watch. Art It: Japan’s First Bilingual Art Quarterly, (6), 79–84.
  • Kawai, M. (2004, June). In Bijutsu Techo (Art Handbook). Japan.
  • Wee, C. J. W.-L. (2004). Twilight Tomorrow. Singapore Art Museum (pp. 12–17).
  • Yap, J. (2003). Kino Kinetics. In Multigraf srl-Spinea Ve (Ed.), Open 2003: Arte & Cinema Arte Comms (pp. 72–73). Venice.
  • Go, K. (2001). Yamagata International Documentary Film Festival: Festival Report. Japan (p. 31).
  • Fan, J. (2003). The President’s Young Talents. Singapore Art Museum (pp. 55–61).
  • Lee, F. (2002). In Selves. Ministry of Communication Arts.