Tag: neurofuturism
02/2026: On creative research and more. Invited podcast, for which I invited my PhD student artist Georgia Thom to appear with me. Institute of Psychology, Psychiatry and Neuroscience, Kings College London, UK. Neurodiversity Matters: Kai Syng Tan and Georgia Thom on creative practice. Host: Sohail Jannesari. Editor: Rachel Olive.
Drawing on my practice and research since 2015, including my monograph (2024) and op-ed (2024), Towards a love-led leadership practice is a heuristic, intersectional, joined-up innovation programme of assets and actions that are (co-)creative (ie creative and collaborative) neuroqueering and decolonising approaches to change- and future-making, rooted in radical care. Get in touch to collaborate.
Tentacles Making Fists: Re-Imagining and Neuro-Futurising Leadership, with Dr Kai Syng Tan is a review of my book ‘Neuro-Futurism and Re-Imagining Leadership’ by Dr Adam McDade for Council for Higher Education in Art & Design CHEAD website. is an illustrator, designer, tattooist, and independent scholar from Sunderland, based in Manchester, UK. He holds a PhD in Design (2021) and produced the first ever piece of academic research to utilise tattooing practice as a research methodology. CHEAD is the UK representative body for 70 Higher Education institutions (HEIs) in art, design, creative media, and related disciplines.
YOU ARE INVITED to an animated evening that shares insights into the making of the book Neuro-Futurism and Re-Imagining Leadership: An A-Z Towards Collective Liberation by artist-agitator-advisor Kai Syng Tan at the John Hansard Gallery in Southampton, UK. Drawing on the big-picture thinking and risk-taking approach of neuro-divergence, the book introduces ‘neuro-futurism’ as a toolkit, to re-claim ways to think about and do ‘leadership’ as a diversified, beyond-colonial, neuro-queered and (co-)creative change- and future-making practice.
My first monograph will be published by Springer Nature/Palgrave Macmillan in Spring 2024. My book introduces ‘Neurofuturism’ as a heuristic praxis for individuals, collectives and institutions to re-imagine a better future, by re-configuring neurodiversity as a mobile, creative leadership strategy.
What would a neurodiversity-led reality look like? My installation and performance at the Attenborough Arts Centre in the exhibition The World is A Work In Progress (curated by Rachel Graves, 25 September 2021 – 16 January 2022) in Leicester, UK proposes that art and neuro-inclusion are key in creating bold visions of how things can be better, and that each of us can play an active part in that process.