In Search of A/The Point of Life

Posts Tagged ‘travelling’

ONE DAY IN THE LIFE OF KAIDIE IN A MINUTE: 7 September 2010 Nondon.

What did Kaidie do on 7 September 2010, Tuesday in Nondon? Or rather, what did we see when we were going about our business on 7 September 2010 Tuesday in Nondon, our favourite city on earth and beyond? Wearing a small camera on our chest (which has been lent to us by Urbantick of the Centre of Advanced Spatial Analysis of University College Nondon), this is a 1-minute time-lapse record of what happened that day, including: walking amongst large crowds in the streets as tube workers went on a strike in Nondon (as usual); attending a panel discussion – with Stelarc in-world in Second Life; presenting our 50-minute performance AUTHOR slash ACTOR slash AUDIENCE at the DRHA conference at the Brunel University; travelling to and from Uxbridge.

And, with all due respect to the dwellers and denizens of Uxbridge, no, we would not/never/ever want to live in Uxbridge in a house with a spouse/family/kids/pets/cars. No thanks very much.

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KAIDIE AT SOFT BORDERS: UPGRADE! CONFERENCE. Kaidie’s Rough Guide to Non-Nondon Cities: Sao Paulo.

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As we fly 18,948km Nondon-Sao Paulo (return), WE WILL RUN 189.48km IN LIFE 1.0 BY 7 NOVEMBER TO MAKE UP FOR OUR CARBON FOOTPRINTS (yes we are wussy by moving a couple of decimal points, but better a pathetic gesture than none??)

As you know (do you? did you?), we are flying to Sao Paulo this weekend to participate in Soft Borders: 4th Upgrade! International Conference. In this gathering of artists, curators and academics from 30 countries, we will be making a 20-minute presentation of our fabulouslyfeetstompinglyheartstoppingmindblowing theory, Trans-Dimensional Running For Our Lives! A Rough Guide To A Critical Strategy For Our Technologically-Layered Multiverse Today. Seasoned (ahem) and weather-beaten (ahem) world- and out-of-the-world- travellers that we are, this will be the very first time that we visit ‘that part of the world’. So, our Dear Conspirators of Pleasure, should you have any tips (Where would be interesting places to run? What to eat? What to drink? Whom to meet? What to do? What to say? How to say? etc. But unfortunately, no, we are not able to drop by at Rio for the famous beaches and silicone…) about the trip, do let us know! And, as usual, if indeed your advice is so amazing as to afford us an amazing experience or two, we will create and publish a post here to share with everyone!

As trans-dimensional runners, we would have liked to fully practice and live what we preach, of course. Nonetheless, for us to run all the way from our favourite city on earth and beyond (thus far), Nondon, to Brazil, would take a while. At 9474km one way and a grand frolicking 18,948km return (!!!), it would take – to put it mildly- ages. Recall now that we live only for 1000 days, and we have only 695 (!!!!!!!!!!!ALREADY!!!!!!! Time flies whether or not we are having fun, however we define ‘fun’, or not) days left. so for us to run to Brazil and back, we would bust our given duration many times over, and be fropped left right centre.*

*It would be appropriate at this point in time for us to have a reality check and undertake some scientific calculations: Someone at our recent ARTSingapore gig asked us how much we have run in the past 305 days of our existence. Good question, we thought. We know that we run an average of approximately 60km a week – sometimes more, sometimes less. On some days, we have 5km quickies, of speed training (we say ‘speed’, but we are pulling [y]our leg[s], as we all know by now that when it comes to running we don’t/can’t do hit-and-run quickies, unless you release an repugnantlyyelpingly ridiculousness of a ‘dog’ of a chihuahua behind us, or, ahead of us, a glass of crisp bubbly, but otherwise, we will not/can not sprint, and our running is no where near the word ‘speed’ and its variations – we do endurance and go the whole length for hours and kilometres [for instance, 1 kilometre per hour], but we simply just don’t Bolt, sorry) on the treadmill or elsewhere, and on others, we run outdoors for approximately 10-20 km. To deduce that we have run approximately a total of 2500km in the past 300 days should not be all that far from the truth, which works out to be an average of 8.3333km per day). All that said, we must confess that some days we do not run, but run off instead to conduct our illicit and addictive affair with an old and very brilliant flame, chlorine. (By definition, any affair would taste sweet because they are affairs [whether or not the affairs themselves are of any good]; illicit affairs are even sweeter, and intrinsically and necessarily so, simply because of their illicitness… Hence, in spite of our vocation/mission of trans-dimensional running in this life, our ongoing stubborn dalliance with swimming in madmade pools…)

Several of your would recall a previous trip that we undertook, to visit our Facebook Friend, the legendary Heidi, in Heidiland (YES HEIDILAND EXISTS), Switzerland, during our 3rd-lifer-In-Residency in Winterthur. The return journey between Nondon-Zurich was 1550km, and after several days of wrecking our brains, we worked out a sophisticated and sustainable system of a means to compensate for our dirty carbon footprints. We understand that not all of you are as mathematically able as we are, so, to explain it in very simple means for you, it suffices to say that our system involves the movement of the decimal point to a position that would render the distance run-able for us, within a decent period of time.

Now, our Dear Fellow Runners, do understand that decency is the governing concept here- for our ‘system’ of repayment of our carbon footprints has to be sustainable and do-able. Running 18,948km would have taken us AT LEAST 1894 days if we run an average of 10km a day, which is 894 days over and above our lifespan (and we have already spent 305 days). Running 1894.8km would still take us about 189 days or 6 months. Also, we are currently in discussion with Japanese art workers about a trip in December/January/February to Asia as part of a project, which would cost at least 10,000 km – ONE WAY. As already argued in January when we undertook our trip to Switzerland, we had already acknowledged that this is but a gesture, and there is no thing big enough we can ever, ever do to compensate for our continual slow smothering of the earth. Apart from having vowed from day one (actually day zero, many life cycles ago) not to create mini-mes to add even more wrongs to all the wrongs that are already happening and all the wrongs that we are already committing, we are also cutting short our lives, and making us put in physical effort every time fly. We have heard of some other gestures such as making donations to have trees planted whenever one flies, but we are uncertain of the impact of such a deed – it does not hurt those with deep pockets and merely buys them out of their guilt (as Zizek has eloquently and sweatily articulated elsewhere). Insofar as all gestures are vain, our tactic of running to repay for our carbon footprints amounts to not much (if anything) either, but as it requires one to put in slightly more physical effort (other than the physical effort of clicking a button to agree to donate money to plant a virtual tree and alleviate one’s guilty conscience), it certainly makes one (us for instance) think twice about flying. And we speak as guiltyfrockers who absolutely adore being in mid-air in large machines, suspended in time, space, cultures, nations.

As we can’t spend the rest of our lives to pay for our Nondon-Brazil return journey, we will move not one but TWO decimal points, to run a total of 189.48km by the end of this month. We begin this repayment from 3 October, when we properly resumed our running (after resting for 2 weeks on our laurels and gloating in the glory of our completion of our first Life 1.0 marathon). So far, over the first 7 days, we had covered 84.27km. Note that although we had had some lovely walks (and a funny dip in Thames!) with some of you during this time, they are not counted, as we will only consider running, and of distances above 5km at any one time. We have 15 days left to run the remaining 100km or so, so we’d better get our  magnificent inertia and monumental butts moving.

Watch this space for our updates, and cheer us on. Or, go right ahead to mock and boo us for being such a wuss, but we are trying, alright?

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No offence to all you lovely trans-dimensional running companions – virtual and real – of ours, but WE’VE DEVELOPED A FATAL ATTRACTION TO THOSE RUNNING BUDDIES WHO HAVE DROPPED DEAD, GORGEOUS.

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NONDON ON THE RUN: SUMMER 2010 #3: HYDRATED LINES OF DESIRE.

Water running in the city form their own lines of life, of thriving economic and cultural pasts and presence.  When we follow the water when we run, we superimpose yet other lines in the cityPrior to our roaring (sic) success (sic) at the Farnham Pilgrim’s Marathon in Surrey on Sunday, and prior to acquiring our ugly injuries in the final month of training, we were training hard. The map above documents our runs along the Regents Park canal (15km Kings Kross-Victoria Park and back; 20km Kings Kross to Harrow Road and back) and River Thames (30km on a Sunday morning). For the trans-dimensional runner, running is extended beyond Life 1.0, to other layers of lives, including the realms of imagination, as well as the Web 2.0 worlds. Here are a couple of maps showing our trans-dimensional desire lines. These desire lines are ours – unique and subjective. Changeable as they are, they register our marks, our presence, our existence and our being in our technologically-layered multiverse.


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WE HAVE RUN AND COMPLETED OUR FIRST LIFE 1.0 MARATHON, FOLLOWING THE FOOTSTEPS OF THE PILGRIMS. Thank you all for your support and donations! BIG THANK YOU to the organisers too!

PS We must also congratulate Team Carter, led by one of the organisers, HILLARY CARTER who was running with his son Henry and wife Trisha. This was Trisha’s first marathon, and Hillary’s ONE HUNDREDTH!! Hence qualifying him to the prestigious 100 marathon club. How very inspiring indeed. Watch out Hillary, HERE WE COME! 99 more for us to go (hopefully within this lifetime?)! We also put up a review in Runner’s World and note that we are definitely not alone in our appraisal of the amazing event!

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PARTLY IMAGINARY CHARACTERS THAT WE ARE, OUR BRUISES ARE FOR REAL: An ongoing catalogue of our Miss Haps (+insults to our injuries). Having come thus far, we will still do our best this Sunday. Fingers (and eyes, and toes) crossed. Watch this space. Don’t move (for we will).

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CAN WE GET OUT OF THIS CIRCLE, OR ARE WE BACK TO SQUARE ONE? The Bras Basah Station permanent public art work post #3.

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WERE YOU RIDING THE TRAIN ON THE SAME CIRCLE LINE IN THE OPPOSITE DIRECTION? The Bras Basah Station permanent public art work post #2.

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KAIDIE WILL BE INTERVIEWED BY AN AUDIENCE MEMBER AT THE DRHA CONFERENCE 7 SEPT- but will the confrontation come to blows?

On Tuesday, Kaidie will be at the DRHA 2010 conference at the Brunel University, Nondon. In this new 60-minute performance, Kaidie will be interviewed by a member of the audience, played by Kai Syng Tan, in Author Slash Actor Slash Audience: A Lecture Performance. Several illustrious names in the new media arts field are present – on the opening day of the conference, Stelarc – yes the legendary (hirsute) man with an (hirsute) arm onto which an (hirsute??) ear has been planted – will perform. As we speak, we are making our way to Uxbridge now. With the threats of tube strikes, we might have to run there. If we know where Uxbridge is. If it is even in Nondon. Please visit website for cost and programme details about attending the conference. See you around.

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IN ONE OF HER PREVIOUS LIVES, KAIDIE WAS DESYPHUS, SWIMMING ROUND AND ROUND THE CIRCLE LINE IN SINGAPORE. The Bras Basah Station permanent public art work post #1.

* Read about Bras Basah Station on Wikipedia.

* Read about the Circle Line on the Land Transport Authority site.

* Read about the Circle Line on Wikipedia.

* More information and images of the Circle Line  here and there.

* Read about award-winning station designed by critically-acclaimed WOHA.

* Look up images of Bras Basah Station on Flickr.

** LAST 2 DAYS OF THIS MONTH TO VOTE! Currently a top film in the War of Films contest: CLAUDIA TOMAZ’S film about KAIDIE AND HER MEANING OF LIFE 3.0. VOTE NOW!** Vote by clicking on + sign at the top of video player. ** Don’t forget to vote for Episode 2, Run Kaidie Run, too!**

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BLACKED OUT ENDS THIS SATURDAY! MISS AND LIVE TO REGRET.

Thank you for coming to the opening of Blacked Out last Thursday! NE7, a sound artist, performed for the evening. This is a group show that we are participating, curated by curator-educator-artist Jennifer Hankin, who is pictured here placing LED-lit balloons at the entrance with fellow exhibiting artist, Lisa Metherell. Thank you Jennifer, Mr Hankin, Faye, and all other artists for the exhibition!

To complement the ‘underground’ theme of the show – given that it takes place in an arch – we shared a work that features a character from a parallel life, ‘Desyphus’, underwater. Is she sinking? Is she afloat? Is she caught in a conundrum, as it were, in time and space in a 3-minute digital loop? This work is an edited extract of a chapter from a 29-chapter large-scale permanent projection in the Bras Basah subway station, located in the centre of the Arts and Heritage District in Singapore, commissioned by the Land Transport Authority of Singapore. We will be talking more about this work in the weeks to come.

Do come and catch this and works by 8 other artists at Blacked Out! Hurry, for it ends this Saturday.

** Currently one of the top competing films in the War of Films contest with 100 votes: CLAUDIA TOMAZ’S film about KAIDIE AND HER MEANING OF LIFE 3.0. VOTE NOW!** Vote by clicking on + sign at the top of video player. **Don’t forget to vote for Episode 2, Run Kaidie Run, too!**

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WANNA APPEAR ON THIS AMAZING BLOG? COME TO THE PRIVATE VIEW of BLACKED OUT, THURSDAY 19 AUGUST 18:30 onwards. LIVE MUSIC, WINE – AND GREAT ART, OF COURSE. KAIDIE WILL SHOOT YOU!

Curated by artist-curator-educator Jennifer Hankin, Blacked Out is an exhibition  in which 9 artists explore light in a blacked out urban setting. This group show is held at Arch 897, Holyrood St, Nondon SE1 2EL. The show opens this Thursday, and lasts for the next few days.

We will share a video loop, its Nondon/ London premiere. In a parallel world, Kaidie is ‘Desyphus’ (Sisyphus + Decipher), riding infinitely in the Circle Line in an island. This clip, filmed by professional diver William Ong, is a edited variation of a chapter from the 29-chapter The Amazing Neverending Underwater Adventures!, a large-scale permanent video installation in the Bras Basah Station, commissioned by the Land Transport Authority in Singapore. The music is composed by Philip Tan.

As usual, we will be there with the memory trapper of a camera. So please remember to say and smell of cheese. Please self-invite. Bring friends – if you have any. If you haven’t, employ some. Otherwise, bring your partner, husband, boyfriend, wife, girlfriend, lover, lovers, ex-lovers, concurrent lovers, children, grandchildren, cousins, nephews, nieces, grand nieces, longlost grand nephews, father, mother, father and mother-like figures in your life, stepparents, foster parents, step sister, distant brother, halfdaughter, pets, etc, and claim that they are your mates. We will be busy snapping amazing shots away, and publish the more amazing ones on this amazing blog over the weekend. So if you wish to have the gratification of seeing yourself appear on this amazing blog, COME! We look forward to running into you.

** Currently #5 in the War of Films contest: CLAUDIA TOMAZ’S film about KAIDIE AND HER MEANING OF LIFE 3.0. VOTE NOW!** Vote by clicking on + sign at the top of video player. ** Don’t forget to vote for Episode 2, Run Kaidie Run, too!**

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TRANS-DIMENSIONAL RUNNING FOR OUR LIVES! A ROUGH GUIDE: IN THE CHAOSMOS OF OUTSIDE/IN. Or: Why running is an excellent tactic for the urban dweller.

** Breaking news: Currently #5 in the War of Films contest: CLAUDIA TOMAZ’S film about KAIDIE AND HER MEANING OF LIFE 3.0. VOTE NOW!** Vote by clicking on + sign at the top of video player. ** Don’t forget to vote for Episode 2, Run Kaidie Run, too!**

As we ran about in our neighbourhood on voting day May 2010, we found something found, and not lost. For a change. But perhaps she was unwanted, as it had been more than 2 weeks. Or perhaps she was the one who decided to leave, to have a new place to dwell.

In the physical, primary world of Life 1.0[1], running as a means of navigating the urban landscape has the clear advantage of not increasing our carbon footprints. While this single reason should be compelling enough to persuade the uninitiated, there are several more reasons  – philosophical, poetic, psychogeographical, personal and political  – why running is an excellent tactic for the urban dweller.

When we run in the city, we are able to personalise what could otherwise be an anonymous, alienating and brutal landscape. While located as an extension of the long traditions of walking (Benjamin, Debord, Richard Long, Lake District writers, Herzog et al), reality becomes more heightened for the runner (with the increased heart rate, speed, physical duress et al given the high impact activity). As an everyday (and legitimate and safe) activity, running departs from other urban tactics such as parkour, skateboarding and grafitti.

We can outrun our fears and danger when we run in the city. We could allow ourselves to be intimidated by the oppressive Barbican buildings and its heavily concrete surroundings, or, we could find our own ways around it, by running it. Running through a council estate in Peckham enables us to conquer our insecurities and paranoia, real, imagined or simply rumoured. If we have no physical advantage over another person (especially if one armed with a weapon, a hoody and ugly tracksuits, a fighter dog or ill-intent), like the Kalahari endurance hunter, we understand that we have our tenacity to rely on, that will allow us to outrun any potential matters of life and death.

Let all the 10,000[2] CCTVs in London follow our movements, for we will register as nothing more than blurs, as if in a Marinetti painting. Haussmann built broad boulevards that were not only beautiful for the flaneur (including those on hashish) to stroll on, but easier for Napoleon’s troops to run down delinquent Parisiens. We could theoretically outwit that, by running through it, as Lola did Berlin, not once but thrice, in Lola Rennt (Tom Twyer, 1998). (Indeed, Lola not only made us see different faces of Berlin, she overcame her useless lover’s problems and overturned her own fate). In precisely-built concrete jungles, the runner can find small ways to defy grand narratives, by running and discovering unknown alleyways and pockets of areas that are neglected. For tightly controlled cities that have been infamously described as having chaos is that is ‘authored’ or absurdity that is ‘willed’, running is a gesture that we can adopt as a comeback (also to the one who described it as such). If we have nowhere to run to, or to run away from, we can discover new spaces within a difficult system, to run. This is one way to ‘not let the bastards grind us down’, as the angry young Arthur reminds us in Sillitoe’s other Kitchen Sink classic, Saturday Night Sunday Morning.

Running also offers a refreshing filter for us to explore a foreign city. When we run in a new city, we interpret landmarks in ways that differ from the overexposed versions pushed forward by tourist books and postcards. Being literally and metaphorically on the ground, we can also run into places – including those that are filled with chaos and absurdity – that would otherwise be whitewashed from the glossy official or so-called authoritative versions. Exposure to the unedited and un-Photoshopped places can open our eyes, ears and minds to other, perhaps more meaningful micro-narratives than the overarching ones.

As runners, we also cease to be taken as ignorant foreigners or exotic Others who are vulnerable, helpless or simply irritating (although we now irritate in other ways, by for instance, ‘endangering the lives of other [slow] users of the pavement’, and so on). While we have previously seen how remains vital to assume the ideological position of an outsider, it is also strategic to look like a local every now and then. Other tourists or even locals ask us for directions, as if the runner has a greater authority on the given site. Indeed, we do.

Virtually anyone can run anytime, anywhere. While it remains unfathomable how the ‘female species’ are still viewed as ‘the weaker sex’ in the 21st century (this is a separate discussion that warrants another 2010,000 theses, and more, but not this one), running is a method in which the female urban dweller could subvert this tiresome outlook. While the female runner is still likely to be spectated upon, she is soon gone, away from any actual bullying that might have befallen someone in a slower mode of navigation. In return, we can enjoy a few moments of tokenistic reciprocations of taunts (after all, we have been at the receiving end from the beginning of time, since having allegedly been created from some spare rib, according to one best-selling storybook), by deliberately making eye contact with the male spectators, but swiftly sprinting off, as if saying ‘catch me if you can’. They do not, and / because they cannot, and they know it only too well. Hence, the look of impotence. A female runner navigating the big city alone can be a sign of physical and mental strength and confidence, thereby warding off any unwanted attention. Or, perhaps it is the face of intense concentration, or simply the excessive (and offensive) perspiration (and animalistic panting) of the serious female runner that desexualises her for the male spectator.

One female, foreign urban-dwelling runner is always warming up. Left: June 2010. Middle: April 2010. Right: May 2010, with our Garmin Forerunner 405 with a broken strap (due to our excessive perspiration, perhaps), here seen taped down to our wrist. We try to use brown tape instead of say, black gaffer tape, for aesthetic purposes as the former can blend in with the colour of our skin. You could not have seen the tape had we not pointed it out, could you?

Running in the city, we produce our own desire paths that subvert tracks laid out for us by the city planners. Should we have a Global Positioning System (GPS) device, we are also able to literally draw our own desire paths. In this way, we create our own unique marks in the midst of the concrete jungle. Akin to the graffiti artist’s surreptitious insignias on walls or trains (or the dog’s trail of urination in the streets), GPS drawing allow us to register our place and existence in the urban landscape. These new tracks, and indeed maps, can be shared with the online community on GPS-sharing sites[4], and further modified collaboratively[5]. From these, further mashups can be created. Like the Situationist tactic of deliberately reading a map upside down, the trans-dimensional runner can appropriate the mashups in innovative ways. In this manner, a lively Life 1.0-Life 2.0-Life 3.0 translation process is generated, all in turn allowing us to return to explore, question and understand our relationship with the city, and indeed, the builders of the city.

The glories of GPS aside, running in a city that we are unfamiliar with without a map can be liberating. Even in a city that we think we know, running without a map can open our eyes, ears and minds in new ways. In an age in which every frontier has been marked, mapped and fully known, such are small ways in which we can re-imagine and re-assess the environment that we live in, as well as its dwellers, including ourselves.

Running in the city, we can run away without physically away. Our minds travel while we remain fully embedded in the urban din. That it is neither illegal (as graffiti is), esoteric (as tai-chi is), extreme (as base jumping is, in which people jump off skyscrapers), technically-complex (as parkour is) or requiring special equipment (as nordic walking does), is the forte of running. Running is so simple as to be banal. While the likes of Roger Deakin, Byron and Martin Amis have made the activity of wild swimming sound lyrical, that it necessarily takes place outside the city, in somewhere unchartered and, indeed, wild, makes it escapist. With running, we can remain fully within a / the system. The ability to conform to a system while playfully questioning it, is an important point of the tactic of trans-dimensional running. Rather than to deny the city or reject reality, running allows us to opt in and play by the rules of the games, while slyly overturning them in personal but powerful ways. Running allows us to take ownership of a place that can be otherwise intimidating and prohibitive. By running, we see the city unpack itself in new ways that in turn also open us up.

Kaidie's desire paths for the month of May 2010.

This is an edited extract from a chapter. Where on googleearth does Kaidie do her writing (and some thinking)? Where is the place in Nondon that inspires us to generate such mindblowing, worldchanging, teethbearing words of wisdom?? To find out, read the next post!


[1] The various lives have been defined in the following ways in this thesis (as of 10 August 2010): Life 1.0 refers to the primary, physical world, ‘reality as it is’.  Life 2.0 refers to the realm of imagination, ‘reality as I like’, as well as realities made possible by Web 2.0. Life 3.0 points to our current hybrid, mixed and augmented realities made possible by Web 3.0. Life 4.0 refers to ‘Web 4.0? and other future technologically-enabled realities, as well as other cycles of our lives to come, in the form of transmigration.

[2] Justin Davenport, ‘Tens of thousands of CCTV cameras, yet 80% of crime unsolved | News’, London Evening Standard, 19 September 2007  [accessed 9 August 2010].

[4] Such as GPSies

[5] Such as open source software Qgis

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NONDON ON THE RUN: SUMMER 2010 #1. NORTH BY NORTHWEST, AND SOUTHEAST, AND SO ON. 25 July – 1 August.

** Breaking news: Currently #6 in the War of Films contest: CLAUDIA TOMAZ’S film about KAIDIE AND HER MEANING OF LIFE 3.0. VOTE NOW!** Vote by clicking on + sign at the top of screen. ** Don’t forget to vote for Episode 2, Run Kaidie Run, too!**

Restlessness is a stubborn dis-ease of ours , but if there is any season that makes one itch more than usual, it has to be Summer. As we crave for a respite from our beloved Nondon , even our loyalty for our dearest Regents Fark is wonky. The comfort of familiarity becomes repulsive. Also, only running at our favourite fark shields us from other textures, tastes and terrains.

In our continuing effort to train for our first marathon in September, as well as to find means to run away from Nondon without physically being able to do that just yet, we have been using running to explore different parts of Nondon, to see Nondon in new ways that we would not have had. And as temporary respites – quickies, if you will. In these runs, we work on distance and terrain, and put speed aside, especially since we often have to stop several times to ask for directions, or stop to read one of those map boards (or whatever they may  be called?) installed in the streets. This being Summer, we plan some of our runs heading towards lidos, and have a dip as well.

We made several trips last week, in all directions. On 25 July Sunday, we ran 20.01km along the canal heading westwards. On Monday, we did 9.01km at our usual Regents Fark. On Tuesday,  we walked 13.39km South, to the London Bridge area, to survey the space that we will exhibit in a couple of weeks. On Wednesday, we went North, running 24.06km to the rather ravishing Hampstead Heath, including a freaking %$£££^%X# freezing 1.1km swim at the Parliament Pill lido. On Friday, we ran our first ever 30km, heading westwards to and from Kew Bridge. On Sunday, we hit the canal again, this time heading towards the exotic east, but missing exactly 98% of Victoria Fark (15km).

How nice, and how different it was, and hence it was nice. We went to places that we would never have imagined to be Nondon, and ran on terrain that were different, difficult. If you would accept the argument that Nondon is generous enough a city to accomodate and indeed celebrate many variations of itself, then the existence of non-Nondons within Nondon, makes complete sense. In the same line of logic, Nondon, ie Non-London, is completely London at the same time. In Kaidie’s cosmology of the world, that ‘A’ co-exists with not-‘A’  – and often in the same freaking %$£££^%X# space –  is perfectly logical. There is (some times frustratingly) no conflict.

‘Fresh sensations, new emotions, are valuable. Can we experience this in everyday life, without endless novelty, which in itself becomes pointless? […] We need that freedom’, as Jeanette Winterson says. ‘Life is too short to save for the holidays’. Indeed.

Serpentine Lido and Hampstead pond, here we come next. [Perhaps even Richmond and Tooting Bec, but we will have to budget getting there (on foot), getting back here (on foot), and having a dip (as aromatic slices of duck sandwiched in slim slices of pancake) as well. Would we have enough energy? …] We need to plan another 5 sessions of long runs, of 30-37km each, and 1 session of 42km. Would you, my Dear Conspirators of Pleasure, have any recommendation of which way we could possibly head next? Some where not too polluted. Somewhere fresh. Somewhere that would excite us. And you, of course.

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WOULD YOU LIKE TO MAKE A DONATION TOWARDS KAIDIE’S RUN FOR THE ROTARY CHARITIES? KAIDIE’S 1st LIFE1.0 MARATHON #1

** HOT OFF THE microwave OVEN: As of 8 August, 1) CHIN HWEE TAN, 2) GREGORY BEITCHMAN and 3) JAMES ODLING SMEE have offered to make a contribution! With these financial and emotional blackmails, the pressure/pleasure is on... ... Chin Hwee's offer is particularly good, so we will devote AN ENTIRE POST on it!! Look out for it in the next couple of days! IF YOU MAKE A DONATION, AND ESPECIALLY IF YOU DONATION IS *INTERESTING*, WE *MIGHT* DEVOTE AN ENTIRE POST JUST FOR YOU!!! So hurry! (That's KAIDIE'S BLACKMAIL for you.)**

As we mentioned, we are running our first ever Life 1.0 marathon on the historical Pilgrim’s Route, in the Farnham Pilgrim’s Marathon in Surrey, in 7 weeks. Do you think we are terribly excited, or do you think we are excitably terrible?!

While/since we are at it, we wish to make it worthwhile for others as well. We wish to raise money for the Phyllis Tuckwell Hospice and other Rotary charities. If you are keen to make a donation, please contact Kaidie now <dislocation@3rdlifekaidie.com>! We are aiming for £100-£200. It goes without saying that we would appreciate any amount. £10 is fine but so is £1, $1, 1 euro, 100yen, or other currencies in other denominations. Please do help, if you could! Yes yes, we do understand and agree with what the sweaty Slavoj is saying, but please do your bit in redistributing (your) wealth. CONTACT KAIDIE NOW!

Kaidie ran 30km to and from Kew Bridge as part of our training for our first ever 42km race. We carried our hand-and-toe-drawn map in our waist pouch, and consulted it every now and then during the course. It would not surprise you/us for us to confess that we were still lost a few times, and had to ask about 7 people along the way for directions, including a motorbike courier outside a kebab shop, who said that he could not help me. 'And you call yourself a courier?!' I shouted. 'It's lunch time now, love!' he shouted back. 'What a pedantic prick.' I replied (not). I would have been better off asking an old lady on a stairlift. This map has been sketched on what used to be the boarding pass of a budget airlines. Make a guess which.

In return, we will thank you in this blog (and the evil Facebook, and Twitter, etc) should you make a donation!  We will also put in extra effort in our training, to make sure that we finish the race, and finish it in not too indecent a time. For the past 12 weeks, we have been devoting several hours each week to running (scoff not, for if you had legs the length of ours, you would take that long, too). As we hit 30km last Friday, we are increasingly confident that we will be able to finish the 42km race. However, as for the number of hours we have to spend on the road, we are extremely uncertain, for we are reminded that the Farnham  route will be hilly and uneven! Having been a spoilt pavement/tarmac runner, it is very likely that our timing will be increased significantly! We must practice more, on varying terrain!

Follow our training ‘live’! Have a look at our running routes! Suggest others! 24-30km required much mental coaxing and physical effort. We imagine the next laps of training – 30-35km – to be even more trying. So, if you run in Life 1.0 as well, you can help push our fatarses and soggy brains along by running with us, for some parts of our practice sessions!

It would have been all too easy for one to simply let one’s imagination run wild and create a purely fantastical story. What is vital in Kaidie’s endeavour is the emphasis on the Life 1.0 realism as well. We have taken upon ourselves to pick up running in real life, and as a test of this, the task of completing a marathon. In this way, we are learning and experiencing in first hand what we are selling, by conditioning and teaching our body, mind, and spirit – if we have any?? –  to run.

Look out for the next posts with updates about Kaidie’s first life 1.0 marathon. In the next weeks leading up to race day, we will be supplying details about Kaidie’s fundraising effort, training development, as well as her plans for her run – Kaidie could run dressed up as a monk (thank you Duncan for your suggestion!), nun or donkey (afterall we are of the same colour and shape and voice) from Chaucer’s wonderful Canterbury Tales, but we will have to watch the erratic bowel movement if the latter (unless of course, we do an impromptu Paula Radcliffe).

Left: screenshot from Farnham Pilgrim's Marathon website. Right: Some of Kaidie's tweets in the past 12 weeks of her training.

** IN THE MONTH OF AUGUST, do continue to watch and vote for the 2 films by Claudia Tomaz about Kaidie! Episode 1 (12 minutes): Kaidie talks about her endeavour. WATCH AND VOTE for KAIDIE AND THE MEANING OF LIFE 3.0 NOW! Episode 2 (10 minutes): focuses on Kaidie’s running. WATCH AND VOTE for RUN KAIDIE RUN NOW! **

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CLOUD 9’S AND KAIDIE’S (OVERLAPPING) TRAVELOGUES

CLAUDIA TOMAZ’S TRAVELOGUE

On 15 June, Kaidie walked to Great Eastern Street to attend Bring Your Own Shorts I, organised by Christopher Birdman Dent, and had the privilege of watching filmmaker/artist/activist/writer/DJ/performance artist Claudia Tomaz’s poetically-layered film Travelogue (2008) in its entirety – sitting right next to the filmmaker! Travelogue is a beautiful 12-minute film-poem. In the place of dialogue, this is an intricate conversation, a delicate dance, between sound and images. Filmed by the filmmaker on seductive Super 8 as she journeyed from Portugal to Morocco, the film is a spellbinding. One of the most enchanting passages of the film is that of a montage of faces; the camera -and us- come face to face with the people, sometimes lingering on, other times looking away. (At this point, we think of great filmic moments that haunt: Chris Marker’s opening and closing sequences of Sans Soleil with 3 children on a road in Iceland; when the tiger speaks to the soldier in Apichatpong’s Tropical Malady, the opening dream sequence of Wild Strawberries and when fire fights rain in Mirror.)

My Dear Readers, do read about the film and watch and vote for it!

Left: frame grab from Claudia Tomaz's Travelogue, 2008. Right: Kaidie's travelogue 15 June 2010 from Kings Kross to Old Street.

KAIDIE’S TRAVELOGUE

Although we had promised Claudia to reach there early for a chat, we ended up being quite rudely late! That was because we got rather lost at the Old Street roundabout. Kaidie has a love-hate relationship with roundabouts, as she never fails to get disoriented at one, but we do love their Sisyphian loopiness (as usual). It is not as if we have never been to Great Eastern Street – but perhaps it is that we like getting lost (at the expense of our manners). This GPS track is slightly distorted, as we switched it off before we reached the venue, mistakenly believing  that we had ‘arrived’. You can look at this map, and other GPS tracks of Kaidie’s Life 1.0 travels on GPSies.

THE OVERLAPPING TRAVELOGUES OF KAIDIE AND CLAUDIA

Kaidie and Claudia Tomaz first met 5 March 2010 at the Late at Tate Britain’s Game Play, at the Blast Theory booth, but have been meeting frequently in Life 2.0. Multi-hyphenate Claudia has a wide body of works that look at technology, landscape, the city and most of all the people in them, in a manner that is sensitive, spirited and never distancing. Her ‘mutant paintings’, Transient Forms are most tactile. The very giving artist has contributed many times to Kaidie’s running blog, and recently made not one but two films about Kaidie as part of her LONDON GROUND series. In spite of our individual paths/journeys, Claudia and Kaidie always have meeting points that are meaningful and striking. Claudia and Kaidie certainly have many common grounds of interests and have been keen running partners, and will most certainly continue to be. Run Claudia Run!

Do continue to watch and vote for the 2 films by Claudia Tomaz about Kaidie! Episode 1 (12 minutes): Kaidie talks about her endeavour. WATCH AND VOTE for KAIDIE AND THE MEANING OF LIFE 3.0 NOW! Episode 2 (10 minutes): focuses on Kaidie’s running. WATCH AND VOTE for RUN KAIDIE RUN NOW!

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INTERMISSION: RUNNING AWAY FROM NONDON FOR A DAY OR TWO. WHERE TO? Part II.

In the previous post, Kaidie asked where she could go for a day or two, away from Nondon. As Chatwin says in his Anatomy of Restlessness, there exists an innate need in us to undertake ‘journeys of the mind and body’. Even while travelling, as we are, being on the journey from life to death, in Nondon. Reprinted here are some of the advice we have received so far. Thank you Susan, Miss Nim (a sponsor of Kaidie’s charity run in March 2010), Chuthatip aka Chutha Indigo aka The Good Pirate aka Fisherman, Aaron and Meena (who had previously helped to look for Kaidie when she was missing)! Kaidie’s running buddy, Claudia Tomaz, is also itching to have a little respite. So, do keep the advice coming in!

Reprinted from Facebook as of Sunday 25 July 2010.

* Walking around Woolwich and Greenwich for 3.5 hours this afternoon, Kaidie realised that Nondon is the one city she is not felt strange, or different, or is foreign (one of the reasons being simply that nearly every other person is strange, different and foreign, too), or out of place (what an evocative expression), or that she shouldn’t be. This is not necessarily the case of the 102 other cities in 32 countries that Kaidie has visited or lived in her previous lives, not even the one that she first arrived in. (All that said, one of the reasons why we are employing running as a navigational tactic for our 21st century reality is precisely because we do want to always feel foreign, strange, different and never settled down. We are never at home, but are out of our comfort zones at all times, and are instead invariably homesick, yearning for a ‘home’  – or an idea, or idealisation of a home. This ‘home’ is yet to be defined, and we resist and put off and postpone calling any place ‘home’, including Nondon).

** Do continue to watch and vote for CLAUDIA TOMAZ’s film, Kaidie and The Meaning of Life 3.0, Episode 1. Episode 2 coming up!

Some of Kaidie's desired next stops (in this or other lives): Iceland (where Marker filmed the '3 children on a road' in Sans Soleil), Norway (aha, a childish desire), Denmark (for Dreyer, and not for Von Trier), Brazil (this October?) (where Herzog crossed the Amazon with his impossible task), Morocco, Canada (for Gould), Algeria (for Camus), the Trans-Siberian (for ever and ever), the Taklimakan desert (ditto), Bhutan (the happiest place on earth), Dubai (one from one theme park to an other), Las Vegas (ditto) (and travels in hyperreality), Belfast (as a city of in-between), Bilbao, River Danube (bordering 10 countries - does it connect or separate them?), DMZ , Gaza (instead of viewing from the other side in Sderot), Xinjiang, Damascus (when Peter O'Toole took over her in Lean's epic that was watched 40 times in a previous life as a child), Mexico (for the amazing Tarahumara runners), Mount Hiei (for the mad marathon monks), Greenland (for Miss Smilla), the part of Russia where The Belovs was filmed, other parts of Finland (for the Leningrad cowboys and Lordi) and Suomenlinna again.

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INTERMISSION: RUNNING AWAY FROM NONDON FOR A DAY OR TWO. WHERE TO?

Hair 6 June 2010, split till Kaidie's end (uncut 12.12.2009 - 09.09.2012, after Tehching Hsieh)

In Life 1.0, Kaidie lives in Nondon. Yet, as we know, any peripetetic runner must deny herself allegiances, and must attach herself to the ethos of non-attachment. Instead, she traverses multiple terrains at the same time, double-triple-crossing, happily crisscrossing her eyes, splitending her hair and curling her toes while dipping curly fries in pig’s cheeks at the same time. So, while Kaidie always insists that she loves Nondon (and that Nondon loves her?), every so often, she must run away from her, to an other place in Life 1.0 that is non-Nondon, non-non-London. We love the city, but the task of the trans-dimensional runner is to resist liking any one place or thing too much. Also, it is Summer just now. Kaidie and her all-consuming love affair with Nondon could do with a little break.

Hence, our Dear Reader, where can Kaidie run away to, for just a day trip, this Summer? Somewhere nearby, but somewhere that looks/sounds/smells/feels different enough from our lovely Nondon. A different terrain to run, with a different scenary, that would give Kaidie a different gait and different rhythm of breathing, and to urge – ever so gently – that stubborn flu of 3 weeks to please leave her system, if not for good, for a little while.

Kaidie recalls a particularly invigorating Summer in a previous life, during which she spent a month in Suomenlinna, in Helsinki, Finland. The weather was extremely crisp, dry and sunny, the flat splendidly spacious and bright (Kaidie was retrospectively told that that was an especially brilliant Nordic Summer). Upon arrival, she was filled with a dread, assuming at once that as a lifelong urban denizen across many lifespans, the fortress island would be unbearable and boring. What arrogance. For, within a couple of days, Kaidie began a month-long routine of walking along the coasts for hours at length, as well as exploring the many tunnels. Although a tiny island, the place opened up the more Kaidie walked it, as if an endless Escher print full of surprising rabbit holes. She would return to the studio to type some notes with no particular intention. In the heady mixture of liqourice ice-cream, squeaky cheese, canons facing generations of enemies, picnics at sloping hills, dipping into the sea, rocking in ferries, blond hair, blue eyes, green eyes, blue-green eyes, and midnight suns, the seeds of Kaidie’s current life, and life story, and task, were planted.

This, of course, was before Kaidie became ‘Kaidie’.

Foam with (foamy) memory. What does it recall? What does it forget? What does it selectively memorise?

Travelling to Stockholm from Helsinki on the trashy Viking Line that Summer, Kaidie recalled Ingmar Bergman’s Summer With Monika (1953). (Kaidie’s favourite work of the great auteur, however, is the shattering Wild Strawberries). This summer, one of Kaidie’s virtual running buddies, James Odling-Smee, tells Kaidie about another Summer with Monika, by Roger McGough (Liverpool, 1967). That summer, Kaidie’s hair was slightly longer than it is now. After she left Suomenlinna, to return home, or ‘home’, she had much of it cut.

In the spirit of summer, with Monika, Monikas, in Stockholm, Suomenlinna, Liverpool, London, Non-London, Nondon, Non-Nondon, Non-non-London, 1953, 1967, 2006, 2010, we reprint McGough’s poem here.

Summer With Monika

They say the sun shone now and again
but it was probably cloudy with far too much rain.
They say the greatest train robbery in history took place,
probably students,
who else wants to steal a train.
They say cabinet ministers and osteopaths
were particularly vulgar about this time,
they say babies were born,
married couples made love,
often with each other
and people died, sometimes violently.
They say it was an average, ordinary, moderate,
run-of-the-mill, common-or-garden summer,
but it wasn’t.
For I locked a yellow door
and I threw away the key
and I spent summer with Monica
and Monica spent summer with me.
Unlike everybody else we made friends with the weather,
most days the sun called and sprawled all over the place,
or the wind blew in as breezily as ever
and ran its fingers through our hair.
But usually it was the moon that kept us company.
Some days we thought about the sea-side
and built sandcastles on the blankets
and paddled in the pillows
or swam in the sink,
and played with the shoals of dishes.
Other days we went for long walks around the table
And picnicked on the banks of the settee.
Or just sun-bathed lazily in front of the fire
Until the shilling set on the horizon.
We danced a lot that summer
bosa nova-ed by the bookcase,
or Madisoned instead,
Hulli-gullied by the oven,
or did the twist in bed.
At first we kept birds in a transistor box to sing for us,
but sadly they died,
we being too embraced in each other to feed them.
But it didn’t really matter
because we made love songs with our bodies.
I became the words and she put me to music.
They say it was just like any other summer,
but it wasn’t.
For we had love and each other and the moon for company,
when I spent summer with Monica
and Monica spent summer with me.

Ten milk bottles standing in the hall,
ten milk bottles up against the wall,
next door neighbour thinks we’re dead,
hasn’t heard a sound he said,
doesn’t know we’ve been in bed,
the ten whole days since we were wed.
No one knows and no one sees
we lovers doing as we please
but people stop and point at these
ten milk bottles a-turning into cheese.
Ten milk bottles standing day and night,
ten different thicknesses and different shades of white.
Persistent carol singers without a note to utter
silent carol singers,
a-turning into butter.
Now she’s run out of passion
and there’s not much left in me
so maybe we’ll get up and make a cup of tea.
then people can stop wondering what they’re waiting for
those ten milk bottles a queuing at our door.

I have lately learned to swim
and feel more at home in the ebb and flow
of your slim rhythmic tide
than in the fully dressed,
couldn’t care less
restless world outside.
You squeeze my hand and cry a little
You cannot comprehend the raggle taggle of living
and think it unfair that death
should be the only one
who knows what he’s doing.
You are afraid of the big bad dark
which loiters in our room
the night it prowls about the yard
the wind howls in distress
The Tom-moon peeps through the window
waiting for the table to undress.
It will soon be tomorrow
there’s nothing to fear
You whisper,
‘ever leave me?’
and put your tongue in my ear.
Sssshhhhh…….
don’t open it,
it can only be
the enemy.
____________

Said I trusted you, spoke too soon
heard of your affair with the man in the moon,
You say that it’s all over, then if you’re right
why does he call at the house every night.

Once I paid the piper and called the tune,
but one afternoon returning home early from the office
I found you in bed with the piper.
You call the last waltz
and now I dance sadly out of your life.

Monica who’s been eating my porridge
while I’ve been away?
My Quaker oats are nearly gone, what have you got to say?
Someone’s been at the whisky,
taken the jaguar keys
and Monica another thing
who’s trousers are these.
I love and trust you darling
can’t really believe you’d flirt
but there’s a strange man under the table
wearing only a shirt.
There’s someone in the bathroom,
someone behind the door,
the house is full of sexy men,
Monica,
Don’t you love me anymore?

You are a woman of many faces
and the one that suits you best I fear
is the one you wear when I’m not here,
for when you wear your marriage face
boredom lounges round the place

Your finger sadly has a familiar ring about it.

Last night was your night out
and just before you went
you put your scowls in a tumbler
half filled with Sterodent
so they’d keep nice and fresh for me.

Monica,
the tea things are taking over,
the cups are as big as bubble cars
they throttle round the room,
the tin-openers skate on the greasy plates
by the light of the silvery moon.
The biscuits are having a party
they’re necking in our bread bin,
that’s jazz you hear in the salt cellars
but they don’t let non-members in.
The egg spoons had our eggs for breakfast,
the sauce bottle’s asleep in our bed,
I overheard the knives and forks
it won’t be long, they said
it won’t be long, they said,
and it wasn’t.

It all started yesterday evening
as I was helping the potatoes off with their jackets
I heard you making a date with the kettle,
I distinctly heard you making a date with the kettle,
my kettle.
Then at midnight,
In the half light,
When I was polishing the blue speckles in a famous soap powder,
I saw you fondling the frying-pan,
I distinctly saw you fondling the frying-pan,
My frying-pan.
Finally at mid-dawn,
In the half light
While waiting in the cool shadows beneath the sink,
I saw you making love with the gas cooker,
I distinctly saw you making love with the gas cooker,
My gas cooker.
My mistake was to leap upon you crying,
Monica, spare the saucers.
For now I’m alone,
you having left me for someone with a bigger kitchen.

In, October, when winter the lodger the sod,
came a-knocking at our door,
I set in a store of biscuits and whisky
you filled the hot-water bottle with tears
and we went to bed until spring.
In April we arose,
warm and smelling of morning,
we kissed the sleep from each others eyes,
and went out into the world,
and now summers here again regular as the rent man,
but our lives are now more ordered, more arranged.
The kissing, wily, carefree times are changed.
We no longer stroll along the beaches of the bed,
or snuggle in the long grass of the carpets,
the room no longer a world for make believing in
but a ceiling and four walls that are for living in.
We no longer eat our dinner holding hands
or neck in the back stalls of the television
the room no longer a place for hide and seeking in
but a container that we use for eat and sleeping in.
Our love has become as comfortable
as the jeans you lounge about in
as my old green coat
as necessary as the change you get from the milkman
for a ten bob note.
Our love has become as nice as a cup of tea in bed,
as simple as something the baby said.
Monica, the sky is blue, the leaves are green,
The birds are singing, the bells are ringing,
For me and my gal.
The suns as big as an ice cream factory,
the corns as high as an elephants eye
could go on for hours about the lovely weather
we are having,
but Monica,
they don’t make summers like they used to.
– Roger McGough

** Do continue to watch and vote for CLAUDIA TOMAZ‘s film, Kaidie and The Meaning of Life 3.0, Episode 1. Episode 2 coming up. **

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Kaidie goes ON, and ON, and ON… for 12 minutes in CLAUDIA TOMAZ’S London Ground film ‘KAIDIE AND THE MEANING OF LIFE 3.0′ EPISODE 1. WATCH and VOTE NOW!

Claudia at work filming Kaidie at work. Other images are screenshots of related websites (see links below).

Multiple-award-winning filmmaker CLAUDIA TOMAZ (Locarno!! Venice!!!!!!!!!!!!) has made a film about Kaidie. This is Episode 1 of 2, in which Kaidie talks about her Rough Guide To The Meaning Of Life 3.0: Kaidie’s 1000-day Trans-dimensional Run 12.12.02009 – 09.09.2012.  And talks. And talks. AND talks. For ALL 12 minutes. YOU HAVE BEEN WARNED! Episode 2 coming soon! (EVEN) More yakking!! Take a look at the film and do vote for it! The music that you can hear is composed by award-winning PHILIP TAN (Animal Farm, National Day Parade 2008, Football! Football! 2010). The film was shot 24 June 2010, at the Slade Centre of Research of the Slade School of Dine Art, Nondon, when Kaidie was installing her meta-map wall installation.

You, My Dear Reader, are not unfamiliar with Claudia, a filmmaker-artist-writer-performer-activist who also spins under the name Cloud 9. You have seen her contributions here, there, there too, there there too, as well as here, just to name a few! And there are many more in Life 2.0! Claudia is one of Kaidie’s most constant co-runners of this quest. Her thought-provoking feedback, insights and suggestions have pushed Kaidie  and her adventure in many exciting ways, making her otherwise silly journey worth travelling.

The Do It With Others (DIWO) ethos of this work also underlies Claudia’s LONDON GROUND series, of which the film on Kaidie is a part of. London Ground is a collection of films ‘made in collaboration with selected artists of different practices (music, film, art, activism) in London underGROUND 2010. The artists invited are not mainstream ones, but people with dreams and their feet on the ground,’ according to the artist.

Claudia’s methodology of (self-)distribution and exhibition also fully exploits the  Web 2.0 infrastructure. This is an exciting and new platform of ‘microfilmmaking’, in which filmmakers share their work online, in a sustainable system that bypasses middle bodies, and allows the artists to communicate directly with her audience. Every view and vote helps the filmmakers make their next films, and allow them to stay truly individual So please watch, and vote! (And please support [the good things about] Web 2.0!)

Have a peek into the multilayered world of Claudia! Read about the LONDON GROUND series! Take a look at the blog the Holon Film Lab! Take a look at notes related to the film on Kaidie! Have a look at the next chapters of cinema and see how you can contribute or make use of this system as well! Claudia tweets as well – follow her ‘live’! Check out Claudia’s work-in-progress (talk about multi-tasking)!! Look at notes about her previous book Mobile Narratives!

How did the 2 travellers meet? What does Kaidie make of some of Claudia’s work? Find out in the next posts!

Booked doublefaced: This week, Kaidie's Facebook profile picture is that shot by Claudia; guess who shot Claudia's picture?

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KAIDIE PAYS HOMAGE TO SOME OF HER VIRTUAL RUNNING BUDDIES AT HER LIFE 1.0 SHOW! #8 YOU CAN BE KAIDIE’S COLLABORATOR TOO!

These are but a handful of Kaidie’s running buddies – real, virtual, imagined –  so far, whom Kaidie has met in her Life 3.0 in the past 7 months. There are many, many more! YOU can play a role in Kaidie’s  life/ lives! Kaidie’s is a collaborative, open(-ended?) quest for The Meaning of Life 3.0! RUN with her for the rest of the 790 days! Here are just a handful of outcomes Kaidie has created with YOU, My Dear Reader/Contributer/Collaborator/Conspirator of Pleasure, so far, including by some of these amazing Nondoners photographed here!. Contribute, by writing in, sending her feedback here, giving her suggestions, sending her images and  sounds and ideas for her to jam with, with you! Add ‘Kaidie Nondon’ as your best Facebook Friend Forever! Friend ‘Kaidie3rdlife’ on Youtube! Follow Kaidie ‘live’ on Twitter! Track her Life 1.0 tracks on GPSies! Friend ‘Kaidie Absent’ in Second Life! Help us make this the best run of our lives!

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AFTER HER RE-ENCOUNTER WITH GRAYSON PERRY/CLAIRE, SICK KAIDIE HAS A NEAR-DEATH EXPERIENCE.

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FOLLOW KAIDIE ON THE BLACK PATH AND DISCOVER KAIDIE’S MULTILAYERED MIXED-REALITY: Navigating Kaidie’s Metamap Show #7

Installed at the PhD show (25-30 June, Nondon), our metamap consists of 120 images and maps that we have created so far. It  attempts to draw relationships between the various maps. It is also a map/documentation of our trials and erros thus far to articulate our cosmology/cosmologies. The 14-metre map also itself becomes a landscape, with small cutouts of Kaidie (or Kaidie’s avatar) running all over the wall and floor. Hence, apart from tthe graphical representations of Kaidie on many of the A3 sheets of images, the paper cutouts of Kaidie-s ’emerge’, or rather, burst out into meatspace; and, apart from the 2D plane of the wall, Kaidie runs into the 3D real world of the Slade Research Centre (if the art world could be called ‘real’, that is), along the stairwell, lift, loo and even out into the streets. Here is one  (more) map that maps Kaidie’s journeys. Follow the black lines and see where she leads you!

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25-30 JUNE: KAIDIE SHARES A 14-METRE METAMAP OF 120 MAPS OF HER TRANSDIMENSIONAL RUN. Slade Centre of Research, Nondon #2

How would a map like this (created before Kaidie's birth in October 2009), be contextualised in Kaidie's wall-installation (June 2010)?

Private view: 25 June evening. Exhibition: 25-30 June. Location: Slade Research Centre Nondon WC1H UK. Opening hours: 9am – 5pm daily except Sunday. Kaidie exhibits her Multiple Mad Meandering Maps + Mandalas of her restless running across Life 1.0 (primary world), Life 2.0 (realm of imagination, Web 2.0 realities) and Life 3.0 (Web 3.0 AR+MR, hybrid reality). As we speak, Kaidie is creating a 14metre-wall-installation, a metamap of her maps of her intradimensional run. In this exhibition, there are 14 PhD and researchers on show with a wide-range of works including performance, sculpture, video installation and sound.

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